尽管好莱坞在使用人工智能进行电影制作方面仍存在分歧，演员兼导演马克·沃尔伯格认为，只要使用得当，这项技术在行业中仍有其位置。
Even as Hollywood remains divided over the use of AI in filmmaking, actor and director Mark Wahlberg believes the technology has a place in the industry as long as it’s used the right way.
沃尔伯格同时也是一名企业家和天使投资人，他在TechCrunch Disrupt舞台上分享了他对人工智能在电影制作中的作用的看法，以及他愿意让自己的人工智能肖像延续自己的遗产。
Wahlberg, who’s also an entrepreneur and angel investor, took the stage at TechCrunch Disrupt to share his perspective on AI’s role in filmmaking, and how he’s open to having an AI likeness of himself carry on his legacy.
这位演员表示，他计划可能利用人工智能来增强即将上映的皮特·罗斯传记电影的某些方面，他在该片中将主演 titular 角色。
The actor said he plans to potentially use AI to enhance certain aspects of the upcoming Pete Rose biopic, in which he’ll star in the title role.
“这是一部成本相当高的电影，但我们正在讨论利用[人工智能]来增强球场场景，诸如此类的东西，”沃尔伯格说。“我认为你不应该只是，你知道的，把一个想法输入ChatGPT，然后它生成一个剧本，接着你就去制作那部电影而不使用真实演员。但如果你能利用它来增强你正在做的事情，我完全支持这一点。”话虽如此，沃尔伯格特别提到了他对讲故事应始终是电影制作核心的信念。
“It’s a fairly expensive movie, but, we’re talking about utilizing [AI] to enhance the stadium setting, things of that nature,” Wahlberg said. “I don’t think you should just, you know, put an idea into ChatGPT and it puts out a script, and then you should go make that and not use real actors. But if you can use it to enhance what you’re doing, I’m all for that.”That said, Wahlberg made special mention of his belief that storytelling should remain at the heart of filmmaking.
“我参演过一些以特效为驱动的大片，”沃尔伯格说。“我认为当第一部《侏罗纪公园》制作时，或者《完美风暴》上映时，我正处于那种恰到好处的状态，当时你有那个巨浪——预告片中出现的100英尺高的巨浪。那些是计算机生成图像在技术上的前沿时刻。现在，我认为做到这一点很难，所以我并不特别热衷于以特效为驱动的电影，相比之下，我更看重真实的故事讲述。”
“I’ve done big, effects-driven movies,” Wahlberg said. “I think I was in that kind of sweet spot when the first Jurassic Park was made, or when Perfect Storm came out, and you had that wave, the 100-foot wave that was in the trailer. Those are cutting-edge moments in technology with computer-generated images. Now, I think it’s hard to do that, so I’m not so passionate about effects-driven movies per se, as opposed to real storytelling.”
当被TechCrunch总编辑康妮·卢伊索斯询问他是否曾访问过CAA Vault——一个创意艺术家机构设施，该设施让演员使用扫描技术捕捉他们的身体、面部、动作和声音以创建人工智能复制体——沃尔伯格表示他尚未去过，但对这个想法持开放态度。
When asked by TechCrunch Editor-in-Chief Connie Loizos whether he had visited the CAA Vault, a Creative Artists Agency facility which lets actors use scanning technology to capture their bodies, faces, movements and voices to create AI replicas, Wahlberg said he hadn’t, but would be open to the idea.
“我会感兴趣，因为我认为如果未来真的朝着这个方向发展，我的孩子或孙子能够掌控我的肖像和形象，并且希望把我放进一些好电影里，那会很酷，”沃尔伯格说。“看看事情会往哪里发展会很有趣。”他甚至表示，如果他的即将推出的动画系列《泰德》能够以他肖像的AI版本继续数十年，他也不会反对。
“I would be interested because I think in the future, if that’s where things go, it would be cool that my children or my grandchildren could be in charge of my likeness and my image, and hopefully put me in some good movies,” Wahlberg said. “It’ll be interesting to see where things go.”He even said he wouldn’t be opposed if his upcoming animated series, “Ted,” continued for decades with an AI version of his likeness.
“我认为如果我无法再做这件事或已经不存在，但如果它能够继续并且人们想看到它，我会觉得看看事情会往哪里发展很有趣，”沃尔伯格说。“我认为我童年时期的一些东西，我希望它们仍然存在，仍然是我生活的一部分……我不会反对。我认为人们将有巨大的机会去观看他们想看的任何东西，如果真的有观众为此买单，他们就应该有权看到他们想看的东西。”
“I think it’s cool if I’m no longer able to do it or don’t exist, and if it could continue and people want to see it, I think it’d be interesting to see where things go,” Wahlberg said. “I think there’s certain things from my childhood that I wish still existed and were still a part of my life […] I wouldn’t be opposed to it. I think people are going to have massive opportunities to watch whatever it is they want, and if there’s a real audience for that, they should be entitled to have what they want to see.”